Episode 48 - Metropolis

Two parts today, firstly Joakim and special guest Aaron Balick will be taking a look at Metropolis and then in part two myself (Tom) will be joining for Joakim for a chat about the various version of Metropolis that have been released over the years. Enjoy!

From Masters of Cinema:

One of the biggest film events of the century, a “Holy Grail” among film finds, Fritz Lang’s 1927 sci-fi epic can finally be seen — for the first time in 83 years — as the director originally intended and as seen by German cinema-goers in 1927.

Shortly after that 1927 release, an entire quarter of Lang’s original version was cut by Paramount for the US release, and by Ufa in Germany, an act of butchery very much against the director’s wishes. The excised footage was believed lost, irretrievably so — that is, until one of the most remarkable finds in all of cinema history, as several dusty reels were discovered in a small museum in Buenos Aires, Argentina in 2008. Since then, an expert team of film archivists has been working at the Friedrich-Wilhelm-Murnau-Stiftung in Germany to painstakingly reconstruct and restore Lang’s film.

iTunes
Direct 
Feed

Episode 47 - Ruggles of Red Gap

 
Joining us today is Tina Hassannia to discuss Leo McCareys’ Ruggles of Red Gap which comes with a hearty recommendation to watch immediately!

iTunes
Direct 
Feed

Episode 46 - The Offence

Nothing like a comedy to chase away those winter blues....which is why under no circumstances watch The Offence as it will chill you to your very soul.

James Marsh joins us for a trip to Depressionville.

iTunes
Direct 
Feed

Ron Benson, founder and Director of Eureka Entertainment sadly passed away on the 19th October 2015. In his memory Eureka Entertainment has started a “Just Giving” page in support of the “Teenage Cancer Trust” https://www.justgiving.com/RonBenson/

Episode Forty Five - Ugetsu Monogatari

This week Joakim and Trevor Barrett from the Eclipse Viewer podcast discuss Ugetsu Monogatari.

From the Criterion Collection:

“Quite simply one of the greatest of filmmakers,” said Jean-Luc Godard of Kenji Mizoguchi. And Ugetsu, a ghost story like no other, is surely the Japanese director’s supreme achievement. Derived from stories by Akinari Ueda and Guy de Maupassant, this haunting tale of love and loss—with its exquisite blending of the otherworldly and the real—is one of the most beautiful films ever made.

iTunes
Direct 
Feed

Episode Forty Four - Park Row

This week Craig Skinner joins us to talk about Samuel Fullers Park Row.

From Masters of Cinema:

Iconic American filmmaker Samuel Fuller began his career as a tabloid reporter, and thrillingly drew on those skills and experiences in his extraordinary labour-of-love Park Row. An exhilarating tribute to the ideals of the free press and noble popular journalism, this two-fisted tale of battles on and off the printed page in 1880s New York is a major American rediscovery.

When Phineas Mitchell (Gene Evans), a visionary newspaperman, launches his own title The Globe, his eye-catching headlines and approach quickly ignite with the New York readership. But less impressed is Charity Hackett (Mary Welch), proprietor of long-established rival The Star, and attempts to undercut The Globe soon escalate into all-out war.

Packing more dynamite into eight reels than most directors unleash over a career, Fuller’s self-financed Park Row is a passionate, idiosyncratic work of gritty myth-making.

iTunes
Direct
Feed

Episode Forty Three - Repo Man

The podcast returns with Joakim being joined by Ian Schultz to discuss Alex Cox's Repo Man,

From Masters of Cinema:

Arguably the defining cult film of the Reagan era, the feature debut of Alex Cox (Sid & Nancy, Walker, Straight to Hell) is a genre-busting mash-up of atomic-age science fiction, post-punk anarchism, and conspiracy paranoia, all shot through with heavy doses of deadpan humour and offbeat philosophy.

After quitting his dead-end supermarket job, young punk Otto (Emilio Estevez) is initiated as a “repo man” after a chance encounter with automobile repossessor Bud (Harry Dean Stanton). An illicit, high-voltage life follows, including an adrenalised search for a mysterious ‘64 Chevy Malibu loaded with radioactive – and extragalactic – cargo… With an iconic soundtrack (Iggy Pop, Black Flag, Suicidal Tendencies), stunning Robby Müller cinematography, and iconoclastic direction, Repo Man remains one of the great debuts of the 1980s.

iTunes
Direct
Feed

Episode Forty Two - The Lost Weekend

We've all had them; but I dare say not many like this as Joakim and Sam Hutchinson from Cinema Etc talk about Billy Wilders The Lost Weekend.

From Masters of Cinema:

''Directed by Billy Wilder (Double Indemnity, Sunset Boulevard, Some Like It Hot), this gut-wrenching adaptation of Charles Jackson’s The Lost Weekend horrified its studio, was rejected by test audiences, and was lobbied by temperance groups, yet went on to huge success and became the awards sensation of its year.

Ray Milland stars as Don Birnam, a New York author struggling with years of alcoholism and writer’s block. Trying to keep him on the path to rehabilitation are his straight-laced brother Wick (Philip Terry) and devoted long-time girlfriend Helen (Jane Wyman). When Don absconds from a country excursion, he embarks on a four-day binge, spiralling towards rock bottom.

Winner of the Grand Prix at the first ever Cannes Film Festival, as well as Oscars for Best Picture, Director, Actor, and Screenplay, this brutal noir provided one of cinema’s first in-depth studies of addiction. Crackling with rapier dialogue, vivid performances, and Wilder’s superlative direction'

iTunes
Feed
Direct