Episode Thirty Four - Red River

First show of the new year and its cracker, Melissa Johnson joins Joakim for a discussion on Howard Hawks' Red River.

You can find Melissa at johnsonmel16@gmail.com

From Masters of Cinema:

''One of Hollywood’s most iconic westerns, Howard Hawks’s Red River launches cinema’s grandest cattle drive, and one of the screen’s most powerful father-son dramas. One of John Wayne’s most intense roles inspired one of his finest performances, and in his debut leading role, Montgomery Clift instantly leapt to the forefront of Hollywood’s young actors.

After the Civil War, ranch owner Thomas Dunson (Wayne) leads a drive of ten thousand cattle out of an impoverished Texas to the richer markets of Missouri, alongside his adopted son Matthew Garth (Clift) and a team of ranch hands. As the conditions worsen, and Dunson’s control over his cattlemen gets ever more merciless, a rebellion begins to grow within the travelling party.''

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Episode Thirty Three - 2014 Review

The year is coming to an end so it must mean wrap up show time, this year we are joined by Craig Skinner to have a look back at Masters of Cinema in 2014. Enjoy!

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Episode Thirty Two - The Passion of Joan of Arc

We return with a look at a Carl Th. Dreyer's The Passion of Joan of Arc and who better to join us than a podcasting titan in the form of Joe Johnson one half of the brilliant husband and wife team that produced the Watching the Directors podcast.

Enjoy!

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Episode Thirty One - Le Beau Serge and Les Cousins

Its Tom and David Blakeslee today with a double bill of Claude Charbol's Le Beau Serge and Les Cousins.

From Masters of Cinema:

'Gérard Blain and Jean-Claude Brialy star in the first of their collaborations with the great Claude Chabrol. The director’s masterful feature debut — ironic, funny, unsparing — is a revelation: another of that rare breed of film where the dusty formula might be used in full sincerity: Le Beau Serge marks the beginning of “the Chabrol touch.”

In this first feature film of the French New Wave, one year before Truffaut’s The Four Hundred Blows, the dandyish François (Brialy, of Godard’s A Woman Is a Woman, Rohmer’s Claire’s Knee, and countless other cornerstones of 20th-century French cinema) takes a holiday from the city to his home village of Sardent, where he reconnects with his old chum Serge (Blain), now a besotted and hopeless alcoholic, and sly duplicitous carnal Marie (Bernadette Lafont). A grave triangle forms, and a tragic slide ensues.

Made barely a year after Claude Chabrol’s debut Le Beau Serge, Les Cousins featured the earlier film’s same starring pair of Jean-Claude Brialy and Gérard Blain, here reversing the good-guy/bad-guy roles of the previous picture. The result is a simmering, venomous study in human temperament that not only won the Golden Bear at the 1959 Berlin Film Festival, but also drew audiences in droves, and effectively launched Chabrol’s incredible fifty-year-long career.

In Les Cousins, Blain’s character journeys from the country to Paris to crash at the luxurious flat of his worldly and decadent cousin, portrayed by Brialy, during the study period for an upcoming law exam which both have set out to undertake. It becomes clear soon enough that only one of the cousins is terribly committed to his work; as sexual promises and alcohol intervene, the set-up becomes untenable for the provincial, — and a tragic slide ensues.

A gripping and urbane examination of city and country, ambition and ease, Les Cousins continues to captivate and shock audiences with its brilliant scenario, the performances of Brialy and Blain, and the assuredness of Chabrol’s precocious directorial hand.'

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Episode Thirty - Nosferatu

This week its just Joakim and Tom discussing a classic and possibly suggesting the ending might not actually be that great....

From Masters of Cinema:

An iconic film of the German expressionist cinema, and one of the most famous of all silent movies, F. W. Murnau’s Nosferatu. Eine Symphonie des Grauens. [Nosferatu. A Symphony of Horror.] continues to haunt — and, indeed, terrify — modern audiences with the unshakable power of its images. By teasing a host of occult atmospherics out of dilapidated set-pieces and innocuous real-world locations alike, Murnau captured on celluloid the deeply-rooted elements of a waking nightmare, and launched the signature “Murnau-style” that would change cinema history forever.

In this first-ever screen adaptation of Bram Stoker’s Dracula, a simple real-estate transaction leads an intrepid businessman deep into the superstitious heart of Transylvania. There he encounters the otherworldly Count Orlok — portrayed by the legendary Max Schreck, in a performance the very backstory of which has spawned its own mythology — who soon after embarks upon a cross-continental voyage to take up residence in a distant new land… and establish his ambiguous dominion. As to whether the count’s campaign against the plague-wracked populace erupts from satanic decree, erotic compulsion, or the simple impulse of survival — that remains, perhaps, the greatest mystery of all in this film that’s like a blackout…

Remade by Werner Herzog in 1979 (and inspiring films as diverse as Abel Ferrara’s King of New York and The Addiction, and E. Elias Merhige’s Shadow of the Vampire), F. W. Murnau’s surreal 1922 cine-fable remains the original and landmark entry in the entire global tradition of “the horror film”. The Masters of Cinema Series is proud to present, newly restored on 1080p Blu-ray at long last, Nosferatu. A Symphony of Horror. in its definitive restoration, complete with original intertitles and accompanied by the score that played with the film at the time of its initial release.

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Episode Twenty Nine - Island of Lost Souls

We return with a look at Erle C. Kentons Island of Lost Souls with special guest James Marsh.

From Masters of Cinema:

''Originally rejected by the BBFC on its initial release for being “against nature”, this first and best screen adaptation of H. G. Wells’ The Island of Dr. Moreau is a taboo-flaunting, blood-curdling spectacular, and one of Hollywood’s wildest, most notorious, pre-Code pictures.

Shipwrecked and adrift, Edward Parker finds himself a guest on Dr. Moreau’s isolated South Seas island, but quickly discovers the horrifying nature of the doctor’s work and the origin of the strange forms inhabiting the isle: a colony of wild animals reworked into humanoid form via sadistic surgical experiments. Furthermore, Parker quickly begins to fear his own part in the doctor’s plans to take the unholy enterprise to a next level.

Featuring a peerlessly erudite and sinister performance by Charles Laughton as the diabolical doctor, a sterling appearance by Bela Lugosi as the half-beast-half-man “Sayer of the Law”, and sensationally atmospheric cinematography by the great Karl Struss (Murnau’s Sunrise, Mamoulian’s Dr. Jekyll and Mr. Hyde), Island of Lost Souls now returns to claim a central position among the most imaginative and nightmarish fantasies from Hollywood’s golden age of horror. The Masters of Cinema Series is proud to present Kenton’s film on Blu-ray and DVD for the first time in the UK, a celebration of the film’s 80th anniversary.''

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Episode Twenty Eight - Q4 2014 Roundup

It Q4 new release roundup time along with a few off the cuff discussions about some random topics. Enjoy!

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